Skip to main content

Stains by Marina Zrnic©

 
Foto de Engin Akyurt: https://www.pexels.com/es-es/foto/arte-textura-abstracto-resumen-14822899/

From our window
wet and hollow
my son and I see a chimney.
Smoke and rain
we are soaked with your lies and pain.
Of couse we had it
it was real
our stars and ice-creams
comebacks and departures
we ate salt together
we had a son.
These last few weeks
of hospital smell and piss in it
I have seen
a boy cleaning a flat with his mother
a husband two years older than I thought he was
a man who buried his father alive
a husband who chooses not to utter a word.
I wear your ring and your sorrows
since the day I met you.
Your illness is a dark tunnel
that sucked me in and drowned me
in a wast pool full of fog.
In it I sit at the bottom
among gauzes dressings injections
a pool full of pills and blood
white coats and intravenous drips
that stain my soul
drip drip drip.

I miss you so much.
I miss your endless chats with me
I miss you to throw out the garbage
to see you coming out of your dusty car.
Smile, I miss your smile.
I miss you to fill out the void in my soul
to fill in the black hole
tell me that all will be fine.
Through the sound of waves
I see us
at the seaside eating prawns
our son is playing in the water
screaming and splashing
you are reading a book next to me
and the tunnel is illuminated
by one candle that is never blown out.

Comments

Popular posts from this blog

Victorian Literature by Marina Zrnic©

Historical Context It is not easy to enjoy in Victorian Literature. For some of the readers, it is impossible. Nevertheless, literature is not about making yourself enjoy in something, it is about finding where your socket is. Art has to be felt, not forced. Its behaviour is of a butterfly: easily crashed. Literature is a pattern that some simply perceive when others will never be able to get there. In my opinion, it is even more the case with Victorian Literature. Therefore, if you have tried it for a few times and it just didn’t work out, let it be for some time. Maybe a day will come when you too will be able to open your eyes for chimney sweepers, coal miners at the age of 4, white linen, weird illnesses in women and a huge Industrial Revolution that brought amazing changes into the lives and mentality of the 18th and 19th century people. Even though Victorian Literature was born and bred in England, its influence surpasses the frontiers and spreads across Europe and reaches other

Ash-tree by M.R.James (1904)

https://unsplash.com/photos/yellow-pillar-candle-in-black-lantern-S7mAngnWV1A?utm_content=creditShareLink&utm_medium=referral&utm_source=unsplash Everyone who has travelled over Eastern England knows the smaller country-houses with which it is studded—the rather dank little buildings, usually in the Italian style, surrounded with parks of some eighty to a hundred acres. For me they have always had a very strong attraction: with the grey paling of split oak, the noble trees, the meres with their reed-beds, and the line of distant woods. Then, I like the pillared portico—perhaps stuck on to a red-brick Queen Anne house which has been faced with stucco to bring it into line with the “Grecian” taste of the end of the eighteenth century; the hall inside, going up to the roof, which hall ought always to be provided with a gallery and a small organ. I like the library, too, where you may find anything from a Psalter of the thirteenth century to a Shakespeare quarto. I like the picture

The Mysterious Mansion by Honoré de Balzac (1831)

Foto de cottonbro studio: https://www.pexels.com/es-es/foto/neblinoso-estilizacion-vestido-blanco-influencia-6752191/ About a hundred yards from the town of Vendôme, on the borders of the Loire, there is an old gray house, surmounted by very high gables, and so completely isolated that neither tanyard nor shabby hostelry, such as you may find at the entrance to all small towns, exists in its immediate neighborhood. In front of this building, overlooking the river, is a garden, where the once well-trimmed box borders that used to define the walks now grow wild as they list. Several willows that spring from the Loire have grown as rapidly as the hedge that encloses it, and half conceal the house. The rich vegetation of those weeds that we call foul adorns the sloping shore. Fruit trees, neglected for the last ten years, no longer yield their harvest, and their shoots form coppices. The wall-fruit grows like hedges against the walls. Paths once graveled are overgrown with moss, but, to te